“Versa-Style and Friends: Celebrating the Street Dance Community”

Some people go to church, temple or other religious/spiritual gatherings on Sunday. I prefer to sit in an audience packed with dance enthusiasts and meditate on street dance, which is exactly where I was on January 18, 2026 for the last of three performances of “Versa-Style and Friends: Celebrating the Street Dance Community” at the Nate Holden Performing Arts Center. For me street dance is emotional, therapeutic, even cathartic. There I sat Sunday at 3:30 p.m. waiting for the lights to go up and my mind, body and soul to be moved.

Photo by George Simian. All Black Collective’s “Whaddup?!”

The exact minute I knew I would enjoy this show was when I saw the face expression of the front-and-center dancer in Versa-Style Next Generation’s opening set. So much is communicated in street dance through facial expressions; and this artist told me with no uncertainty that it was about to be lit on this stage during this song medley, which included “Houston, We Have a Problem.” It was as if they were trying to make the audience flinch from their position on the stage; a combination of bravado and pure bliss. The entire troupe’s moves toggled between sharp and smooth, in sync and solo. . . .

Read the entire article at LA Dance Chronicle.

‘Feast & Film’: A fun night out in the heart of Screenland

Like peanut butter and jelly or Snoopy and Woodstock, dinner and a movie are a classic combination. Kicking off this January, the Culver Hotel on Culver Boulevard is hosting “Feast & Film,” an Old Hollywood style experience that pairs a three-course dinner with a movie screening across the courtyard at the art-deco designed Culver Theater.

“We did get moviegoers dining at our restaurant, but that’s not actually how we came up with the idea for Feast & Film,” explained Danielle Goller, General Manager at the Culver Hotel. “We hosted a ‘The Golden Screen: A Cinema Series’ that we started last year. It celebrated the 100th anniversary of the hotel and the 100th anniversary of MGM. The Culver Theater played original MGM movies and after guests saw the movie, they would come to our speakeasy lounge, the Velvet Lounge, and have a themed bite and drink.” . . .

Read the entire article at The Argonaut.

Why hundreds of people swarm an Inglewood basketball court every Saturday morning

On any given Saturday at 9 a.m. on the outdoor basketball court at Hollywood Park, a group of 40 to 140 people of every shape, age and fitness level are gathering for squats, lunges and laps. 

Photo by Kwe Johnson

The 45-minute weekly class is organized by Claudine Cooper, an Inglewood group fitness instructor who’s made it her mission over the last 15 years to get movement to her community — for free. 

“Claudine’s class is one of my favorite things I do all week,” said Leslie Wrona, 47, of Inglewood, who has been showing up every week since September with her 9-year-old daughter.

Cooper has been hosting free outdoor workout classes since around 2010. The idea manifested from a Facebook message from a woman who had been taking her classes at 24 Hour Fitness on Slauson. The woman could not afford her gym membership anymore and was asking whether Cooper knew of any free classes in the area. . . .

Read the entire article at The LA Local.

DTLA Proud: Building a recognized Rainbow District in 2026

When Oliver Alpuche worked at Nike, he was asked to create an authentic running community. As he began to produce events and build community, he realized that work can be so much more than a job; it can spark inspiration.

“It lit a fire within me,” he explained. “When I opened a bar downtown called Redline, I still had that same passion. As I looked at starting my own business, I asked, how do I build an authentic queer community?”

In 2015, three gay bars opened in DTLA: Precinct, Bar Mattachine and Redline. One of Alpuche’s goals was to create a queer community hangout, but he also had bigger plans. DTLA Proud was born the following year to, in Alpuche’s words, let greater Los Angeles know about its vibrant gay community and nightlife. . . .

Read the entire article at LA Downtown News.

Altadena Photographers Exchange: Organization focuses on restoration, recovery, rebuilding

On Dec. 31, 2024, Gayle Nicholls-Ali and her husband touched down in Nassau, Bahamas, to celebrate their 43rd anniversary and her recent retirement from teaching photography for 20 years. One week later, the Eaton Fire burned down their home.

“I not only lost my home, but I lost all my equipment and my photo studio,” said the founder of Altadena Photographers, a volunteer-driven organization created to help creatives recover from the Eaton Fire. “We were trapped in the Bahamas. My son kept telling us, don’t come back to LA. There’s no place to live. He was also displaced. In February, I started to formulate the organization and by the time I came back on March 11, it was already in full swing.”

“I decided to start the organization because I was looking online at what was happening in our community, and I saw that Brandon Jay had started Altadena Musicians,” she continued. “I know that I’m not the only photographer in Altadena. I know I’m not the only artist in Altadena. I commented on a post he made, and I said, who’s taking care of the photographers? And he said, why don’t you? I took him up on the challenge.”. . .

Read the entire article at Pasadena Weekly.

High Stakes: Offering support for a creator economy worth $250 billion

Shira Lazar thinks big. She is the founder and CEO of What’s Trending, a multiplatform digital media brand, and a content creator. It is because of what she does that she started Creators 4 Mental Health (C4MH), which offers well-being tools to the creator economy through education, events and research. Many of her events are held in Venice, such as The Kinn.

This month, Lazar traveled to Dubai, where she emcee’d the creator economy stage the 1 Billion Followers Summit, and flew back to Washington, D.C. on Jan. 15 to meet with California Representative Ro Khanna, who was introducing the Creator Bill of Rights, a resolution supporting fairer treatment, economic security and transparency for creators and digital workers in the modern platform-based economy.

According to the Creator Bill’s press release, the creator economy is worth $250 billion globally and is expected to reach $480 billion by 2027. It provides income for 12% of U.S. adults and has emerged as a full-time job for more than 10 million Americans. . . .

Read the entire article at The Argonaut.

Eating LA: 10 years of Smorgasburg and counting (calories)

According to Zach Brooks, general manager of Smorgasburg LA, there is no better way to enjoy the city of LA than through its food. Brooks has tested this worldview in other cities as well, such as New York, where he began his food writing career with the launch of a website called Midtown Lunch.

It was while running this venture that he met the founders of Smorgasburg New York, which started about 15 years ago.

“Originally, it was the Brooklyn Flea, before there were a lot of hipster flea markets,” Brooks explained. “They were one of the first in Fort Greene in Brooklyn, and it had a little bit of food. The food became so popular that when they got an opportunity to launch a second event, they decided to focus on food, and they called it Smorgasburg because the original one was in Williamsburg.” . . .

Read the entire article at LA Downtown News.

King Dish of the Queen Cuisine: The best lomo saltado direct from Peru

Alonso Franco and Ignacio Barrios, owners of Merka Saltao, the new Peruvian restaurant in Culver City, met in elementary school and became fast friends. As the years progressed, so did their careers — but in different directions.

Franco ran hostels, offering tourists 300 beds from Lima to Cusco, hosting 1% of all Peruvian tourism each year and reaching the rank of No. 3 hostel in the world by Hostelworld. Barrios was a celebrated chef in Lima who ran collaborative kitchens and appeared in his own TV show on a local food network.

When the pandemic hit, the two reconnected. Because people were not traveling as much or getting together as often, the two successful entrepreneurs decided to start from scratch and build something aligned with their goals and passions: Peruvian food in the United States. . . .

Read the entire article at The Argonaut.

Structuring Chaos: Eaton Fire Collaborative supports rebuilding and recovery

Because Antonio Manning had lived in Altadena since 1991, the Eaton Fire was personal. Like many of his neighbors, he experienced a total loss. As a business person with 30-plus years in the banking finance world, specifically working with nonprofits, he became interested in the recovery process. In late summer 2025, he started attending the Eaton Fire Collaborative meetings at the Pasadena Elks Lodge.

The Eaton Fire Collaborative has been meeting weekly since Jan. 14, 2025. The group brings together community groups, local nonprofits and city, county and state officials dedicated to supporting the rebuilding and recovery of Altadena, Pasadena and Sierra Madre. Soon, Manning assumed the role of chair of the Eaton Fire Collaborative Long-Term Recovery Group.

As Chair, the first order of business, according to Manning, was to bring a more formal structure to the group and its processes. The first steps were to get the leadership team in place and adopt bylaws. . . .

Read the entire article at Pasadena Weekly.

Not Just Buttons: Trim 4 Less is full of artsy surprises

When Albert Zakhor rented a building 30 years ago for $350/month on the corner of Maple Avenue and East 9th Street, he was following in the entrepreneurial footsteps of his father, uncles and grandfather: buying and selling buttons.

Since the age of 1, his family was in the button business, eventually owning a button-making factory in Iran. After the Iranian Revolution ended in 1979 and the factory was confiscated, the family relocated to Los Angeles.

“Buttons are very strange merchandise,” said Zakhor. “It’s not food; it’s not building material. But dresses need a button and a zipper to close it. Nobody believes that the button is important, but it’s very important, and it’s very unique.” . . .

Read the entire article at LA Downtown News.