Little Change, Big Payoff: Fall 2026 Brewery Artwalk has a new pay policy

Kristen Carlson remembers Christmas and Halloween parties at The Brewery Artist Lofts. At least, she’s seen the photos: images of her as a 2-year-old in a bunny suit and assemblage artist John Schroeder as a bumblebee. It was the place she called home. It was also her family’s business since 1979, when Arnold Carlson and his sons bought the closed Pabst Blue Ribbon-Eastside Brewery property in Lincoln Heights.

Photo by: Steve Lucero

“I was born in 1983, a year after the creation of The Brewery Artist Lofts complex,” said Carlson, who is now the president and CEO of The Brewery Artist Lofts. “My mom’s whole pregnancy with me was climbing staircases and doing whatever across the property, so it’s been in my veins since day one.”

For more than 40 years, the 17-acre campus with 23 buildings, often called the world’s largest art complex, has hosted a twice-yearly Artwalk. The Fall 2026 Brewery Artwalk takes place on Nov. 7-8, from 11 a.m. to 6 p.m., with one big change: Visitors 18 and older are asked to pay a $5 ticket fee, good for both days. Admission is free for kids 17 and under and residents of 90031, 90033 and 90023 with identification.

Read the entire article at LA Downtown News.

Sprinting for a Cure: Annual event funds ovarian cancer research at UCLA

Kimberly Galindo was diagnosed with ovarian cancer at age 18. Although she had symptoms for over two years — abdominal and lower back pain and irregular periods — doctors dismissed her concerns, suggesting she had gastritis. Since her diagnosis, she has endured multiple surgeries and chemotherapy sessions, restless nights and difficult days. Throughout her journey, she found herself longing to connect with a supportive community, which she eventually found at Sandy Rollman Ovarian Cancer Foundation (SROCF), a nonprofit launched as a response to the issues Galindo was facing.

Photo by: Girl Squad Media

“I was a gynecological oncology nurse and took care of Sandy Rollman when she was diagnosed with ovarian cancer at the age of 32,” explained Robin Cohen, CEO and co-founder of SROCF.

“Every day was a fight to keep her alive. While taking care of her, I learned a lot about the emotional toll of the disease and the lack of resources and support for women with ovarian cancer. After Sandy died, her sister and I started the organization and based it on what wasn’t available to Sandy at the time of her diagnosis.” . . .

Read the entire article at LA Downtown News.

The Season of Chloe: Comedian’s solo show, ‘Cheat,’ at G-Son Studios

Comedian Chloe Radcliffe has a history of cheating in her past relationships. She wrote a show about it, “Cheat,” which she will perform at the soft opening of G-Son Studios from Nov. 4-8. For the record, she does not condone cheating. But it happens all the time, and, in her opinion, nobody is willing to stick a microphone in front of their face and say they did it — except Radcliffe.

Photo by: Sachyn Mital

“I just happen to be the person who’s willing to talk about it,” said Radcliffe. “The show is about my history of infidelity, but at its core, it is about looping behaviors of harmful patterns that we keep repeating even when we don’t want to. There’s a lot of people who don’t have infidelity as their harmful repetition, but they have something else. All I want to do is talk about it and dissect it and ask relatively nonjudgmental questions of it. Those are the conversations we should be having.”

Radcliffe has been developing “Cheat” for three years. She performed it first at the Edinburgh Festival Fringe, where she met her current boyfriend, who happens to be a comedian. . . .

Read the entire article at LA Downtown News.

Granting the Future of LA: 55 organizations receive $3.1M to improve the county

As the chairman and president of The Goldhirsh Foundation, respectively, Benjamin Goldhirsh and Tara Roth have the capability to do extreme good in the world. Luckily for Los Angeles, in 2013 the foundation’s LA2050 initiative launched the LA2050 Grants Challenge, which has directed more than $23 million to local social impact organizations. This year, 55 Los Angeles organizations received $3.1 million in funding, and at Oct. 14’s LA2050 Grantee Showcase, the recipients were announced and celebrated at the SmogShoppe in Culver City.

From left to right: Kristen Paglia, Fox Foundation; Alexis Cabrera, 9 Dots; Jax Chaudhry, Project Invent; and Laura Fox, Fox Foundation.

“One of my favorite days of the year is the Grantee Showcase,” shared Roth. “In one day, I get to see all the people who are doing such incredible work, who are putting themselves out there and being true civic community servants in making Los Angeles better. What I love about the work is that not only do I get to see these incredible heroes, but I get to promote and amplify their work and connect them where I can. We have people going in to prisons to teach entrepreneurship. We have people greening spaces that were otherwise blighted spaces. I’m inspired and gratified that I get to participate in this in some way.”

The Grants Challenge consists of several stages. First, organization screening; second, Angelenos vote on the issues that matter most to them and determine the areas eligible for funding. Next, organizations selected through Part 1 are invited to submit funding proposals for a specific program, project or initiative that aligns with the top-voted issues. Those proposals are reviewed and recipients are chosen. . . .

Read the entire article at LA Downtown News.

People, Power and Cultural Equity: State of the Arts Summit examines lasting community benefit of 2028 Games

It is the night before Art for LA’s State of the Arts Summit at the San Gabriel Mission, and it is raining, which is rare in Los Angeles. It has Arts for LA CEO Gustavo Herrera a little concerned, but not enough to dampen his excitement about gathering together 400-plus attendees representing 250 arts and culture organizations: creative workers, independent artists, philanthropic and government leaders and community-based organizations that use arts as a vehicle for change.

Arts for LA is also celebrating its 20th anniversary — two decades of organizing artists and cultural groups across the county.

“Our community is stronger together,” said Herrera. “Bringing the community together has been a core function of Arts for LA for many years. It’s where our creative community in Los Angeles comes together to take stock on what’s happening in our field and to build power. . . .

Read the entire article at Pasadena Weekly.

Holiday Cruisin’ : Party on the seas with City Cruises

The night sky was clear, hues of crimson red and rustic orange marked the setting sun and the moon was bright and full. It was the perfect evening to board the Entertainer from Fisherman’s Village for a two-plus hour cruise around in the Marina del Rey Harbor with dinner and drinks, a live DJ and dancing — even a few line dances on the floor for those who happened to know them. One family was celebrating a 50th birthday with 30 of their closest friends, a handful of couples were commemorating their anniversary and two friends from Houston were sightseeing. Now take this spectacular setting on a regular Saturday night in September and add festive decor, a special menu and merriment. The result: City Cruises’ holiday cruises.

“People come to us because they want to do something fun,” explained Amber Cross, City Cruises’ director of sales, “and we get to help them create fun, which is very rewarding to me.”

“We don’t go out into the open ocean,” she added. “Our tagline is, ‘Nobody gets seasick unless it’s self-induced,’ unless they’re hitting that bar too much. We just cruise the harbor.” . . .

Read the entire article at Pasadena Weekly.

Helping in the Heart of Skid Row: Inner City Law Center hosts resource fair for the unhoused

On Oct. 15, around 235 unhoused people and their pets gathered in the Inner City Law Center (ICLC) parking lot for the seventh biannual Skid Row Community Connect Day. In partnership with the Los Angeles Central Providers Collaborative, ICLC invited housing organizations, medical teams, legal advocates and mental health professionals to deliver services to unhoused and low- income Skid Row community members.

The event is part of ICLC’s mission to serve the city’s most vulnerable: extremely low-income families struggling to stay housed in LA. Thirty percent of its clients are homeless, and 48% of its clients last year had annual household incomes under $10,000. In the simplest terms: The nonprofit, poverty law firm helps people who are very precariously housed try to hold on to their housing, and people on the streets try to find a pathway into housing.

UCLA School of Law graduate Nancy Mintie started ICLC in 1980. After moving to the Catholic Worker Soup Kitchen, also known as Hippie Kitchen, in the Skid Row neighborhood, she began providing legal services to people in the area. Cases ranged from eviction and habitability issues to securing benefits. . . .

Read the entire article at LA Downtown News.

Engineering a Better World: High school robotics team fundraises for Camp del Corazon

About eight hours after Luke was born via emergency C-section, the nurses noticed that he was turning blue and transferred him to the NICU. At first, the doctors thought it might be an infection, but after some monitoring, it was determined he had a severe heart defect: Tetralogy of Fallot with pulmonary atresia. He was also born without a pulmonary artery — there was no way for blood to get from his heart to his lungs.

Luke (center) started attending Camp del Corazon 7 years ago. He is now 12.

About 14 hours after Luke was born, he was transferred to Children’s Hospital Los Angeles (CHLA), where he stayed in the Cardiothoracic Intensive Care Unit (CTICU) for about 3 1/2 weeks. He underwent his first surgery at 3 days old and another at 5 1/2 months. At age 5, he returned to CHLA for yet another.

“He’s been holding stable, and he’s doing great,” said South Pasadena resident Jodi Reagan, the mother of Luke, now 12, Jack, 9, and Thomas, 7. “He’ll probably need another procedure within the next two or three years.” . . .

Read the entire article at Pasadena Weekly.

New Drinking Destination: Crudo e Nudo Chef-Owner Brian Bornemann introduces Bar Fortuna

There are a few things that are important to Brian Bornemann, and at the top of that list is eating local. He credits his training, which started in Tuscany at a little place called Osteria del Gatto in Siena, for this unwavering love. He worked for a chef-owner who would make his own pasta, his own olive oil from his own trees and hunt wild boar and venison to bring whole into the kitchen. It inspired him to become the chef-owner he is today, with Crudo e Nudo in 2021 and now Bar Fortuna, an Italian cocktail and wine bar, which opened on Main Street on Oct. 21.

Bar Fortuna Team: Bar Manager Noah Castellanos, Chef-Owner Brian Bornemann, Chef de Cuisine Jose Morales. Photo Credit: Catherine Dzilensk

Crudo e Nudo is the maritime embodiment of eat local. The whole mission, explained Bornemann, is to get people to recognize seafood from their own front yard — what they should be eating instead of seafood from Japan, Mexico or Spain. Bar Fortuna extends this “‘locavore philosophy’ by exclusively using California ingredients,” he said. “Instead of Parmesan and Pecorino, we’re showcasing an incredible Broncha cheese from Petaluma; pastas are made from Tehachapi Grain Project’s Sonora flour and produce comes from the Santa Monica Farmers Market, where I’ve been going since childhood.”

Another dynamic feature of Bar Fortuna’s menu is the butchering of a whole lamb and pig from California ranchers to be featured across a variety of dishes: one day a lamb chop, the next a grilled lamb shoulder and the next a braised lamb ragu on tagliolini. . . .

Read the entire article at The Argonaut.

Music, Maestro, Please: LA Opera’s new music director opens season with ‘Carmen’

When the curtain — adorned with a newly commissioned 70-foot artwork titled “The Things We Know,” by Los Angeles-based artist Enrique Martínez Celaya — rises at Dorothy Chandler Pavilion, Rihab Chaieb stands seductively at the top of a marble staircase, draped in an intricately patterned black-and-white ball gown, as pairs of flamenco dancers pose, stomp and wave their hands to the orchestral rhythms. She is Carmen: desirable, defiant and driven. Georges Bizet’s “Carmen” has been performed again and again all over the world, but not like this. Bizet’s masterpiece is the first production in LA Opera’s 2026-27 season, and it is the first conducted by LA Opera’s new music director, Domingo Hindoyan. It also happens to be one of his favorites.

“I have many favorites, but one of my favorite operas is what I’m doing now,” said Hindoyan from his office inside Dorothy Chandler Pavilion about 10 days before the first performance of “Carmen,” which opened Oct. 17. “I love the story. I love the music — how it’s put together with the drama. ‘Carmen’ is a very well-known opera, which also makes it a bigger challenge, because everyone knows it.”

Hindoyan is taking the baton from James Conlon, who led LA Opera for 20 years. And like another celebrated maestro, Gustavo Dudamel, who just left LA this year for the New York Philharmonic, Hindoyan also got his start playing the violin in El Sistema, the National Network of Youth and Children’s Orchestras of Venezuela. . . .

Read the entire article at LA Downtown News.