Empowering Communities in Crisis: CORE is helping Altadena and Palisades rebuild

CORE, according to its website, was started by a scrappy team of idealists determined to ease the suffering and destruction around them. One of those idealists was actor Sean Penn, who met CORE’s (Community Organized Relief Effort) co-founder, Ann Lee, at a displacement camp in Haiti while responding to the 7.0-magnitude earthquake on Jan. 12, 2010, that killed more than 220,000 people and left another 1.5 million homeless.

Since 2010, CORE has grown into a global team and, on Jan. 7, 2025, the organization prepared to respond to what would become the tragic aftermath of the wildfires in Pacific Palisades and Altadena.

CORE Program Area Manager Matt Gsell lives in Sherman Oaks, just between both fire areas. He is responsible for the 14 caseworkers who each work with about 35 clients/families from the affected areas. CORE helps with everything from basic needs to rebuilding, housing to educational support — “anything that people need to get them back to where they were pre-disaster,” said Gsell. . . .

Read the entire article at Pasadena Weekly.

‘The Ritual of Unknowing’: A brush with surrealist painter Adrian Cox

On a Saturday afternoon in early March, guests entering the Corey Helford Gallery in Culver City could see and experience Adrian Cox’s art. As part of his fifth solo exhibition at the gallery, titled “The Well of Dreams,” Cox hosted a one-hour, free creative wellness event and live performance by the artist, titled “The Ritual of Unknowing: A Surrealist Meditation Experience.”

Photo by: Chris Mortenson

“As a surrealist artist, I’m always looking for ways to engage with my subconscious mind and outmaneuver that logical part of my brain that wants to decide what a thing’s going to be before I’ve made it,” Cox explained. “One of the techniques that I started using a number of years ago is, I bought a cheap podcasting microphone and a little MIDI keyboard that I could hook up to my laptop, and I started making DIY hypnosis tracks.”

Guests were invited to bring their own yoga mats and pillows so that they could lay down comfortably. . . .

Read the entire article at The Argonaut.

At the Starting Line: Dare to Dream Challenge awards creative freedom

As the co-founder and CEO of the e-commerce platform Stan, John Hu identified a problem: Even the most promising creators rarely get the resources or funding to turn early momentum into sustainable businesses.

Photo by: Chris Mortenson

Successful entrepreneurs find solutions, and so Hu launched the Dare to Dream Challenge to, according to its press release, “flip the traditional American Dream narrative, moving away from the ‘white picket fence’ ideal toward a new version of success defined by creative freedom and doing work you love.”

More than 2,500 creators from around the world shared their dreams as part of the 2026 challenge, which ran from late 2025 through early 2026, with the winners announced on February 27. The grand prize is $100,000 to dedicate 2026 to building your dream, and five runner-up Creators each received $10,000 in funding. . . .

Read the entire article at The Argonaut.

‘Three Coconuts’ = One Father?: West Coast Jewish Theatre presents first production since pandemic

The story of “Three Coconuts,” West Coast Jewish Theatre’s dramedy now playing at Miles Memorial Playhouse, is a true tale mined from Howard Teichman’s life.

“It’s the story of my mother when she divorced my father, she decided to put an ad in the Jewish newspaper to audition men to become my father,” Teichman, who wrote and directed the play with Steven G. Simon, said. “She would make dinners for them, and this one particular night when she did this, we all got busted, and we were all thrown in jail.”

This is West Coast Jewish Theatre’s first production at Miles Memorial Playhouse since the pandemic. The nonprofit performed at the Pico Playhouse from 2005 to 2016 and then relocated to Miles Memorial Playhouse from 2017 to 2020. . . .

Read the entire article at The Argonaut.

Fighting Corruption, Fraud and Waste: Bryant Acosta runs for mayor alongside around 40 other candidates

Bryant Acosta may look young, but his resume is impressive. As a chief creative officer, he has built systems using advanced technology and helped shape global brands. As the CEO of Nightbreed, he has brought communities together through events that amplify marginalized voices and create safe spaces for all people.

He is also a first-generation American, openly gay Latino, and he is running for LA mayor alongside around 40 other candidates.

“I did my research on my opponents, and I don’t see anybody that’s bringing the experience that I’m bringing to the table,” said Acosta. “No shade to people, but there are a lot of community organizers, lawyers, people that are working in the public space, but they don’t have the organizational skills and multimillion-dollar budget experience. They don’t have multidisciplinary team experience. I feel like that is my lane and I’m sticking to.” . . .

Read the entire article at LA Downtown News.

‘Kings of Venice’: Paddle tennis doc wins Audience Award for Best Documentary Feature at Slamdance

There are quite a few characters roaming around on Venice Beach, so why would the beachfront paddle tennis courts be any different? Loving both the sport and the eclectic beachside community, Sveinn Ingimundarson and S.D. Saltarelli picked up their cameras and began to shoot the players and the game. The result is “Kings of Venice,” which premiered at Slamdance Film Festival this month and won the Audience Award for Best Documentary Feature.

“We both have a deep love of Venice,” said Saltarelli. “Sveinn and I were both out in Venice Beach, playing this little sport, paddle tennis, and Venice is just a magical place. It attracts some magical people, and we decided to try to put a camera on them, and we think we ended up with something kind of magical.”

According to the documentary, in 1961 there were over 8,000 paddle tennis courts in the U.S. Today only 50 remain, and 11 are in Venice Beach. The game is similar to tennis except it is played on a quarter-sized court with a lower net, wooden paddles and a tennis ball with its pressure reduced by a hypodermic needle. . . .

Read the entire article at The Argonaut.

Be Well, Do Good, Lead Change: West San Gabriel Valley YMCA reopens, joins larger YMCA of Metropolitan Los Angeles

Executive Director Valarie Gomez has been working at the West San Gabriel Valley YMCA for 21-plus years. This is not the most impressive Y-related trivia relating to her life. Her grandparents met at the Ketchum-Downtown YMCA on 4th and Hope Streets after World War II. 

“My grandmother was a part-time bookkeeper, and my grandfather didn’t want to go back to Nebraska, so he came to California for the opportunity of growth and development — very similar to what the Y offers — and he landed at the Y because of the boarding that they had at the downtown YMCA,” said Gomez. “They met and fell in love, and they both stayed at the Y. My grandfather did the printing until the last 10 or 15 years of his life. Unfortunately, they’re not living anymore, but I wish they were because I could share this joy with them that I found at the Y.” . . .

Read the entire article at Pasadena Weekly.

A Theater Grows in Santa Monica: New Ruskin Group Theatre Arts Center presents ‘Honour’

In 2018, the city of Santa Monica ordered assessments on all the buildings on Airport Avenue in the Santa Monica Municipal Airport. One of those buildings housed Ruskin Group Theatre, founded by John Ruskin in 2001.

Ruskin was having a good run at 3000 Airport Avenue. When he first launched his acting school, Anthony Hopkins taught the masterclass. Its productions have starred such celebrities as Rob Morrow (“Northern Exposure”) and Ray Abruzzo from “The Sopranos.”

“I knew that those assessments would lead to the demolition of many of the buildings on Airport Avenue,” explained Michael Myers, producing artistic director and Ruskin’s managing director since 2002. “When the assessments came back, lo and behold, it was going to take a lot of money to bring 3000 Airport Avenue to code.” Myers and his team contemplated the situation before them, but every scenario in their current location seemed too costly. They were also hoping to remain in Santa Monica, a city where Myers was born and raised and Ruskin had grown to love ever since he relocated from New York and rented an apartment at The Shores on Neilson Way. . . .

Read the entire article at The Argonaut.

DTLA Cat Friends: Mission: Group on mission to reduce suffering, overpopulation of outdoor cats

Feeding the cats in the neighborhood is not the problem, according to Jasmine Jones, a longtime DTLA resident and creator of the group DTLA Cats. Everybody leaves food out in the neighborhood. The bigger issue, and the one Jones has been tackling for the past five years, is saving lives through trap-neuter-return (TNR and rescue, reducing shelter intake and euthanasia).

TNR consists of trapping the stray community cats; bringing them to a veterinary clinic to be spayed or neutered, vaccinated and treated for fleas; allowing them to recover safely for a short period of time; and then returning them to the only home they know, which is outdoors.

“It’s the most humane and effective way to reduce the suffering and overpopulation of outdoor cats,” Jones explained. “It prevents endless litters from being born on the streets, reduces fighting and roaming, and helps cats live healthier, safer lives. Los Angeles has one of the largest stray cat populations in the country, and downtown is no exception. This work is urgent, and it’s very local.”
. . .

Read the entire article at LA Downtown News.

Masters Up Close: Classical music’s best-kept secret — in Mar Vista

Todd and Robin Mason would often host little informal concerts in their West LA home and had attended other home chamber music performances. Being naturally competitive people, on their ride home, they would brainstorm ways that it could have been better. Those conversations eventually lay the foundation for Mason Home Concerts.

Photo by: Chris Mortenson

In 2013, the couple undertook extensive renovations to optimize their home for live performances, transforming it into a warm, acoustically excellent concert room designed specifically for chamber music.

“We took a chance and made a whole room, which can hold about 50 people,” Todd explained. “We got a beautiful piano: a Yamaha Concert Grand. That’s important because to do classical music and chamber music, you must have a good piano, because so much of the repertoire includes piano. We didn’t know if it would really take off. We just kind of did it because we loved it. We had a couple of concerts, and it was a very successful and positive experience. Everyone loved it, and word got out that we were doing this.” . . .

Read the entire article at The Argonaut.