Thoroughly Contemporary: Santa Barbara’s CAF grows up

Gallery_Interior_bigger“We are not solely regionally focused,” says Miki Garcia, executive director of Santa Barbara Contemporary Arts Forum, which will change its name to Museum of Contemporary Art Santa Barbara next week. “The artists that we show are local, national and international, so the projects that we’re doing here are on par with what the MOCA and the Hammer are doing [in Los Angeles]. It’s smaller in scale because of the footprint, but the kind of work that we’re doing in terms of contributing to the field is just as rigorous. We are expansive in our mission to present the most compelling contemporary art being made today.”

The newly named Museum of Contemporary Art Santa Barbara has been an alternative arts space since 1976. Admission is free. According to Garcia, who has been in charge of daily operations at the nonprofit institution since 2005, MCA Santa Barbara has always been concerned with and engaged in process, and supporting—not canonizing—artists. Without a permanent collection, the exhibitions come and go about every three months.

Final-Logo-full-screen_Page_1

New logo!

“Our job is not to say this is the best art of all time,” Garcia says. “We are not an encyclopedic museum whose mission has a retrospective, historical position. Ours is: This is what’s happening now. That’s the more interesting story for us.”

Although museum is now part of its title, MCA Santa Barbara has no immediate plans to acquire work for a permanent collection. …

Read full article at ArtilleryMag.com

Eat Psy’s Favorite Foods at Bibigo Korean Restaurant

Hot Stone Bibimbap

Hot Stone Bibimbap

This summer at all three Los Angeles locations of the Korean restaurant Bibigo, Korean pop megastar Psy, also known as the King of YouTube — or his actual name Park Jae-sang — is everywhere. On the front windows, the servers’ T-shirts and even on the menu. Millions of people dance like him, and now everybody can eat like him too, as Bibigo is offering a special menu of Psy’s choosing. Already a big fan of Bibigo in Seoul, whenever Psy is in L.A., he visits the Bibigo on posh Beverly Drive in Beverly Hills.

Until July 31, customers who order his favorite dishes receive a scratch card with the chance to win prizes like a Bibigo voucher, bag or Psy mask (!!), and can enter to win a trip to Seoul. The winner will be announced August 19, 2013.

psymaskPsy’s massive hit “Gangnam Style” has over a billion YouTube views. He released his follow-up single, “Gentleman,” in April, and it quickly earned a Guinness World Record for the most-viewed video online in 24 hours. In the latter video, Psy meets his female match and they head to a restaurant and begin playing with their food. Apparently, these are some of Psy’s favorite dishes from Bibigo, which also has locations in the UK, Japan, China, Indonesia and Singapore.

Being exactly like Psy means eating at the Beverly Hills location, although there are two others in L.A. — in Century City and Westwood — serving a Psy-inspired menu. …

Read full article at LA Weekly

5 Wine and Food Pairings from Vintage Enoteca Sommelier Danielle Francois

Pulled Pork Sliders and Quinta de Saes

Pulled Pork Sliders and Quinta de Saes

It’s rare that a small wine bar has an onsite sommelier. It’s even rarer that a restaurant has a female sommelier. Vintage Enoteca has both in Danielle Francois who, along with Jennifer Moore, owns the Hollywood wine bar.

Their philosophy is simple: Wines should be accessible, affordable and, most important, people should like what they drink. The two ex-New York City advertising execs gravitate toward boutique productions and family-owned estates, which produce indigenous varietals, in Europe, California and the Pacific Northwest.

“I pick out cool, off the beaten path wines that you don’t find everywhere,” says Francois. One of her specialties is food and wine pairings. Throughout the year, she plans themed pairings, but she’s also available on the spot for customers who are adventurous — or unsure — and looking for suggestions. This weekend, June 14-16, she’s put together an All-American Snack Food Mashup and Wine Tasting with sophisticated twists on classic snack foods like Cracker Jacks, pork rinds and Oreos. Turn the page for five of Francois’ food and wine pairings.

Wine: Kir-Yianni “Petra,” Macedonia, Greece, 2011 (white)
Suggested Foods: light salads, salty cheeses, Mediterranean diet
Says Francois, “I’m a fan of white wines that aren’t that fruity. I find that they’re a little more food versatile when there’re not big, lip-smacky fruit flavors bowling over the rest of the flavors in the wine. This is a Greek wine with indigenous varietals from Macedonia. It’s not too fruity with an undercurrent of citrus and peach and apricot, but it’s got a nice crisp, snappy salinity on the finish. It’s food versatile. In our warm farro salad, it brings out the snappiness of the flavor of the English peas. And feta is indigenous to Greece. I am a fan of what grows together, goes together.”

Read full article at LA Weekly

Arch Focused on the Story Arc in “Sleepless in Seattle”

Tim Martin Gleason, Joe West and Chandra Lee Schwartz in “Sleepless in Seattle.” Photo by Jim Cox.

Tim Martin Gleason, Joe West and Chandra Lee Schwartz in “Sleepless in Seattle.” Photo by Jim Cox.

If things had gone as planned for the musical version of Sleepless in Seattle at the Pasadena Playhouse, writer Jeff Arch would be celebrating the show’s one-year anniversary this month. Instead, the musical, directed by Pasadena Playhouse’s artistic director Sheldon Epps, with music and lyrics by Ben Toth and Sam Forman, opens this Sunday and runs through June 23.

“Had the show we had last year at this time been put up, it wouldn’t have succeeded,” says Arch, who wrote the original story and co-wrote the screenplay with director Nora Ephron and David S. Ward for the 1993 romantic comedy film. “We knew there were problems. There were some not-quite-there moments, and some this-is-just-the-wrong-direction moments. The book and story have stayed true. The musical treatment and direction of the story have changed, but all for the better.”

Arch and his business partner David Shor, the musical’s producer, have been the only two consistent players in the project’s eight-year history.

“No one told me it was going to be eight years,” Arch says. “If they said, eight years, three directors, three music teams, hijacking attempts and rewrites like you can’t believe, I might have said no. Thank God I didn’t know.”

Arch sits in the Makineni Library upstairs from the Pasadena Playhouse. …

Read full article at LA Stage Times

Memorial Day Grilling Tips From Chef Govind Armstrong

govindburger-thumb-560x406

courtesy of Miami.com

While chef Govind Armstrong is busy this Memorial Day in the kitchen of his 2 1/2-month-old restaurant Willie Jane on Abbot Kinney in Venice, scores of Angelenos will be firing up the grill. To get ready for the second-biggest BBQ holiday of the year — July 4 is the biggest — Armstrong, who also runs the restaurant Post & Beam in Baldwin Hills, offers his advice on how to grill the perfect burger, whip up a tasty marinade and clean those dirty grates. June 1 is the grand opening of Willie Jane’s 4,000-square-foot garden, and on Saturdays Armstrong plans to serve a selection of grilled items on the patio. Turn the page…

Squid Ink: What would you barbecue on Memorial Day, if you had the day off?

Govind Armstrong: Whole sirloin cap. It’s relatively inexpensive and easy to get at most butcher shops. It’s slightly leaner. The flavor is unparalleled when it comes to many of the other common cuts; it’s one of those perfect meats to grill. I don’t grill at too high of a heat — my grilling is closer to a hybrid of grilling and smoking. It’s not a race.

My favorite thing to grill is probably soft shell crabs, because they’re so delicious. Little bit of salt, pepper, oil — that’s it. Toss in a little bit of garlic. Then, when they come off, a squeeze of roasted or crushed lemon and more olive oil.

Read full article at LA Weekly

Dance Bistro 2013: A Little Taste of Every Dance Style

Luminario Ballet. Photo by Nguyen Nguyen

Luminario Ballet. Photo by Nguyen Nguyen

The dancers of Luminario Ballet hang from aerial silk as they wrap their bodies around each other. Watson Dance troupe spills out into the aisles and interacts with the audience. LA Follies kick line taps to ’40s tunes. CONTRA-TIEMPO mixes salsa, Afro-Cuban, urban and contemporary styles.

These are just four of the 13 dance companies performing at the second annual Dance Bistro, a two-day festival coming to Carpenter Performing Arts Center at California State Long Beach this weekend.

Now in its second year, Dance Bistro has grown tremendously. Last year, it featured only six companies. This year, it accepted submissions online, received 60 and picked 13 participants. Two high schools, L.A.’s Renaissance Arts Academy and Cortines High School Dance Company, have been included, one performing each night. And Thursday and Friday at the Carpenter Center–as part of the festival’s Education Outreach program–1,800 students and teachers will be bused in to watch dress rehearsals, which will also be live streaming for free from 11AM to 1PM on dancebistro.com. Jackie Lopez, co-founder of Versa-Style Dance Company, will be the emcee and moderate the Q&A sessions with the artists after each run-through.

The two defining features of Dance Bistro 2013 are that it’s multigenre and accessible. …

Read full article at Long Beach Post

10 Best Octopus Dishes in Los Angeles

Ray's and Stark Bar/Photo by Jessica Koslow

Ray’s and Stark Bar/Photo by Jessica Koslow

Cooking octopus can be tricky. But when done right, it’s tender, delicious and loaded with health benefits (low-calorie, lean, vitamin-rich). Japanese and Mediterranean diets are swimming, as it were, with octopus options — as is this town, where many restaurants have the dish on their menus. According to a sampling of chefs, the Spanish and Portuguese seafood are generally favored, and most cooks have a specific size they prefer — from one to seven pounds — for reasons ranging from tenderness to plate presentation. Some eateries serve octopus up with spices from Peru, while others experiment with the flavors of North Africa. Turn the page for 10 of our favorite octopus dishes around town.

Read full article at LA Weekly

Dang Directs a Multicultural Chess for East West

Ensemble of “Chess.” Photo by Michael Lamont.

Ensemble of “Chess.” Photo by Michael Lamont.

When the musical Chess opens at the David Henry Hwang Theater tomorrow night, it will look a lot different from the original production, which premiered in London’s West End in 1986 and ran for three years. It also will stray from the ill-fated Broadway version, which opened in 1988 and lasted only two months — and from a third version that served as the Los Angeles County premiere, produced by Long Beach Civic Light Opera in 1990.

Director Tim Dang, who is also East West Players’ (EWP) producing artistic director, decided to re-imagine Chess for the 21st century with a multicultural cast. Elijah Rock, who is African American, stars as Russian chess player Anatoly. Joan Almedilla, who is a Filipina immigrant, plays his American love interest. Victor E. Chan, who is of Chinese and Filipino descent, portrays his American competitor Freddy. Four of the 15 Chess cast members are of mixed race.

“As artistic directors, we have a responsibility for what happens on our own stages,” says Dang, who hopes to lead in the campaign for more multicultural casting by example with Chess. …

Read full article at LA Stage Times

The Traces Team Ventures Into the Music Center

The ensemble of “Traces.” Photo by Michael Meseke.

The ensemble of “Traces.” Photo by Michael Meseke.

On Monday, 7 Fingers circus performer Bradley Henderson boarded a plane for Los Angeles for the Music Center debut of Traces, which opens Friday at the Dorothy Chandler Pavilion and runs through the weekend. Fresh off a three-week break from the US tour, he’s excited to re-unite with the cast as well as the show’s directors/choreographers, Shana Carroll and Gypsy Snider, who choreographed the circus scenes for the current Broadway revival of Pippin and have been busier than usual, preparing for its opening night Thursday.

Henderson and these two (out of seven) founding members of Les 7 doigts de la main (7 Fingers) go way back. They all met in San Francisco, where their individual passions for circus were piqued, and then headed to Montreal, the epicenter of modern-day circus.

In 2002, seven like-minded circus lovers in Montreal — Carroll, Snider, their husbands and three former circus colleagues — decided to form 7 Fingers. Its first production was Loft, and the company went on to create a string of wildly popular shows, which although different in setting offer the same 7 Fingers style of blending circus with dance and theater. Most important, the performers play themselves, without makeup and costumes, and each new added cast member brings his or her personality and talent to a production.

Now in its third incarnation, Traces fuses classic acrobatics with street culture activities such as skateboarding, basketball and parcour. …

Read full article at LA Stage Times

Trisha Brown Dance Company’s UCLA Retrospective

Performers in “Floor of the Forest.” Winarsh-Documenta, 2007.

Performers in “Floor of the Forest.” Winarsh-Documenta, 2007.

Diane Madden, one of the newly appointed associate artistic directors of Trisha Brown Dance Company (TBDC), has been walking around the Getty Center all day. She arrived from New York City the night before, and she’s scoping out the landscape where Trisha Brown’s Roof Piece will be performed this Saturday afternoon.

Roof Piece originated in 1971 atop buildings in a 10-block area of New York’s SoHo. Twelve dancers transmitted movement from dancer to dancer, roof to roof. This will be ne of only a few re-mountings of the piece and the first time it will be seen in LA.

Roof Piece is just one of the works presented this week as part of CAP (Center for the Art of Performance) UCLA’s Trisha Brown Dance Company: The Retrospective Project, which includes eight proscenium choreographies and several site-specific works from one of the most widely acclaimed choreographers in postmodern dance. During Brown’s five-decade-spanning career, she was the first woman choreographer to receive the MacArthur Foundation Fellowship, in 1991. She was awarded the National Medal of Arts in 2002 and the Dorothy and Lillian Gish Prize in 2011.

Kristy Edmunds, artistic and executive director of CAP UCLA, planted the seed for the retrospective at the end of 2011.

“Kristy saw where we’re at, where Trisha’s work is at in history, what’s going on personally with the company,” says Madden. “She saw this was a moment to really do a very big, broad overview of the work. She’s right. She’s got good timing.”

“Trisha’s from the Pacific Northwest,” continues Madden. …

Read full article at LA Stage Times