Eating LA: 10 years of Smorgasburg and counting (calories)

According to Zach Brooks, general manager of Smorgasburg LA, there is no better way to enjoy the city of LA than through its food. Brooks has tested this worldview in other cities as well, such as New York, where he began his food writing career with the launch of a website called Midtown Lunch.

It was while running this venture that he met the founders of Smorgasburg New York, which started about 15 years ago.

“Originally, it was the Brooklyn Flea, before there were a lot of hipster flea markets,” Brooks explained. “They were one of the first in Fort Greene in Brooklyn, and it had a little bit of food. The food became so popular that when they got an opportunity to launch a second event, they decided to focus on food, and they called it Smorgasburg because the original one was in Williamsburg.” . . .

Read the entire article at LA Downtown News.

King Dish of the Queen Cuisine: The best lomo saltado direct from Peru

Alonso Franco and Ignacio Barrios, owners of Merka Saltao, the new Peruvian restaurant in Culver City, met in elementary school and became fast friends. As the years progressed, so did their careers — but in different directions.

Franco ran hostels, offering tourists 300 beds from Lima to Cusco, hosting 1% of all Peruvian tourism each year and reaching the rank of No. 3 hostel in the world by Hostelworld. Barrios was a celebrated chef in Lima who ran collaborative kitchens and appeared in his own TV show on a local food network.

When the pandemic hit, the two reconnected. Because people were not traveling as much or getting together as often, the two successful entrepreneurs decided to start from scratch and build something aligned with their goals and passions: Peruvian food in the United States. . . .

Read the entire article at The Argonaut.

Structuring Chaos: Eaton Fire Collaborative supports rebuilding and recovery

Because Antonio Manning had lived in Altadena since 1991, the Eaton Fire was personal. Like many of his neighbors, he experienced a total loss. As a business person with 30-plus years in the banking finance world, specifically working with nonprofits, he became interested in the recovery process. In late summer 2025, he started attending the Eaton Fire Collaborative meetings at the Pasadena Elks Lodge.

The Eaton Fire Collaborative has been meeting weekly since Jan. 14, 2025. The group brings together community groups, local nonprofits and city, county and state officials dedicated to supporting the rebuilding and recovery of Altadena, Pasadena and Sierra Madre. Soon, Manning assumed the role of chair of the Eaton Fire Collaborative Long-Term Recovery Group.

As Chair, the first order of business, according to Manning, was to bring a more formal structure to the group and its processes. The first steps were to get the leadership team in place and adopt bylaws. . . .

Read the entire article at Pasadena Weekly.

Not Just Buttons: Trim 4 Less is full of artsy surprises

When Albert Zakhor rented a building 30 years ago for $350/month on the corner of Maple Avenue and East 9th Street, he was following in the entrepreneurial footsteps of his father, uncles and grandfather: buying and selling buttons.

Since the age of 1, his family was in the button business, eventually owning a button-making factory in Iran. After the Iranian Revolution ended in 1979 and the factory was confiscated, the family relocated to Los Angeles.

“Buttons are very strange merchandise,” said Zakhor. “It’s not food; it’s not building material. But dresses need a button and a zipper to close it. Nobody believes that the button is important, but it’s very important, and it’s very unique.” . . .

Read the entire article at LA Downtown News.

Art for Sale: Santa Monica’s oldest gallery auctions masterpieces, fights for Bergamot Station

Robert Berman Gallery is not just the oldest gallery at Bergamot Station; Robert Berman’s is the oldest art gallery in Santa Monica. He opened his first spot on Main Street in 1979, called B-1 Gallery.

“For my first show, we didn’t even have electricity,” he shared. “I drove my car into the space and lit up the wall with my headlights.”

“That’s actually where I brought Keith Haring from New York,” he added. “The only time Keith ever showed in LA was in my little gallery on Main Street. I did a lot of other historical shows with both international artists and a lot of the East Village New York artists, but I mixed it together with local artists.” . . .

Read the entire article at The Argonaut.

The First Lady of KJAZZ: Rhonda Hamilton receives NEA award for jazz advocacy

Although she has been working in jazz radio for 50 years, Rhonda Hamilton was still surprised to receive a call from the National Endowment for the Arts informing her that she was the recipient of the 2026 A.B. Spellman NEA Jazz Master Award for Jazz Advocacy.

“That came as a big surprise,” Hamilton, who joined KJAZZ 88.1 in October 2021, shared. “I never expected that at all. When you’re working every day, you just do it. I’m not thinking about the impact that this has had. I started when I was in college in 1975. So here we are: This is 50 years, and when I think about that, my goodness, it’s a long time.”

When she first got the message to call somebody from the NEA, she thought, “That’s interesting, maybe they’re asking me to recommend somebody?” . . .

Read the entire article at The Argonaut.

It Was All a Dream: The Crow comedy club offers a platform for silenced voices

Like millions of people around the world, Nicole Blaine, owner of The Crow comedy club, has an affinity for the 2006 bestseller “The Secret” by Rhonda Byrne. Before she had even heard of it, its magic was working for her in mysterious ways.

“I have had the honor and the privilege of getting to witness miracles,” she said. 

One of the first ones was a chance meeting with her now-husband, Mickey, who was her then-high school crush. When Blaine saw Mickey playing the role of Kenickie in Santa Monica High School’s production of “Grease,” she fell hard. Thinking he was out of her league, Blaine dated his best friend instead. . . .

Read the entire article at The Argonaut.

Playa Vista Beach Club: Hats off to a local PV entrepreneur

When Victoria Mehrnia and her husband moved to Playa Vista two years ago, one of the first things she noticed was that she had not seen any merchandise with the community’s name on it. Malibu and Marina del Rey had merchandise, so why not Playa Vista?

“I thought it could be a cool opportunity,” Mehrnia said, “and so I have been making hats myself just in our house. I played around with a couple of different ideas and came up with the name, Playa Vista Beach Club.”

The hat company is Mehrnia’s passion project, which she launched about four months ago. While she was browsing the Wednesday night summer market and year-round Saturday farmers market, she saw space for Playa Vista-branded merch. Most of her customers so far have been residents who discover her via Instagram. She meets them at The Resort, which is a community center, for the handoff. . . .

Read the entire article at The Argonaut.

A.I.M by Kyle Abraham… the collective wonderfully stunning to watch

The movements on stage for the December 14, 2025, performance of A.I.M by Kyle Abraham were smooth, sharp and exciting, but perhaps one of the most exciting moves was artistic director Kyle Abraham’s decision to sit in the audience, right near me! It is not every day an acclaimed choreographer chooses to mix and mingle with the audience. Perhaps the Carpenter Performing Arts Center holds a special place in his heart. He and his company are definitely held in high esteem by the Carpenter Center, as expressed by its executive director Megan Kline Crockett, who expressed being brought to tears while viewing a New York performance of “Dearest Home.” . . .

Photo by Moving Media

Read the entire article at LA Dance Chronicle.

Leo Manzari’s “Kick in the Door”—A Tap and Music Experience

Gregory Hines did it. Savion Glover does it, and on Friday night, December 12, 2025, at Give Hope Studios in East L.A. Leo Manzari did it in the second half of the premiere of his show, “Kick in the Door”—honored the dancers who have come before and paved the way. Manzari paid tribute to Gregory Hines, Jimmy Slyde and most notably, one of his mentors, Maurice Hines, who featured him in Maurice Hines is Tappin’ Thru Life. In a night filled with live music, rap, tap, and projected video and images, Manzari confirmed his place as an artist with his feet shuffling firmly on the ground and his future aimed straight for the stars. . . .

Photo by Ben Hayslett

Read the entire article at LA Dance Chronicle.